Home Spotify expands Audiobooks to Europe, investing millions in publisher growth

Spotify expands Audiobooks to Europe, investing millions in publisher growth

TLDR

  • Spotify expands audiobooks to four non-English markets, boosting publisher payments.
  • Premium members now have access to 300,000 audiobook titles, doubling the previous count.
  • Spotify's audiobook entry helped the U.S. market grow by 28%, significantly impacting publishers.

As Spotify expands its audiobook offering to four new, non-English markets, the company states it paid hundreds of millions on an annualized basis to audiobook publishers.

In the past few months, it has also increased the number of titles available to premium members from 150,000 to 300,000. The figures show that the platform’s entry into the audiobook market is contributing to major growth for audiobook publishers overall. The firm’s CEO, Daniel Ek, wrote on X: “We’ve already paid hundreds of millions to publishers, and are excited about [all] the new opportunities now available to authors.”

According to Bookstat, in the U.S. where Spotify launched Audiobooks in Premium last Autumn, the audiobook industry would have grown at a rate of 14%. When you add Spotify to the overall picture, the market grew by 28%.

Spotify expands Audiobooks into parts of Europe amid massive growth

A spokesperson told ReadWrite that with 28% of Spotify’s users located in Europe, the company will continue investing in and growing the available audience and revenue pies for publishers and authors.

Hence, for the first time, eligible Spotify Premium subscribers in France, Netherlands, Belgium and Luxembourg will be able to access more than 200,000 audiobook titles as part of their subscriptions.

Alt text: A screenshot of Spotify's audiobook section in French, titled "Livres audio." It highlights the availability of over 250,000 audiobook titles in their subscription catalog. The "New and trending releases" section displays three audiobook covers: "Jour de ressac" by Maylis de Kerangal, "La Petite Bonne" by Bérénice Pichat, and "The Kiss" by Helen. Below, several genre categories are shown, including "Mystère et thriller," "Science-fiction et fantastique," "Biographies et mémoires," "Romance," "Santé et bien-être," and "Science et nature." Navigation options at the bottom include "Accueil," "Recherche," and "Bibliothèque."
Spotify Audiobooks is now available in different languages including French. Credit: Spotify

Antoine Monin, Spotify Western Europe managing director, said: “Since our launch in Western Europe 16 years ago, Spotify has evolved into a leading platform for music, podcasts, and now audiobooks.”

He continued: “We are proud to spotlight this region’s rich literary tradition, with 15,000 French and 15,000 Dutch titles joining our catalog, advancing our mission to empower audio creators globally and connect them with audiences both locally and internationally.”

Head of Spotify’s Audiobooks Business, David Kaefer, added: “This launch is a step towards growing the pie for everyone in the industry, supporting authors in finding new audiences, and making it easier for people to discover the audiobooks format.”

“This is very good news for audiobooks and books in general. The dominant audiobook business model doesn’t help sell content,” said Eric Marbeau, director of digital distribution at Madrigall.

Featured image: Ideogram

About ReadWrite’s Editorial Process

The ReadWrite Editorial policy involves closely monitoring the tech, gambling and blockchain industries for major developments, new product and brand launches, AI breakthroughs, game releases and other newsworthy events. Editors assign relevant stories to in-house staff writers with expertise in each particular topic area. Before publication, articles go through a rigorous round of editing for accuracy, clarity, and to ensure adherence to ReadWrite's style guidelines.

Suswati Basu
Tech journalist

Suswati Basu is a multilingual, award-winning editor and the founder of the intersectional literature channel, How To Be Books. She was shortlisted for the Guardian Mary Stott Prize and longlisted for the Guardian International Development Journalism Award. With 18 years of experience in the media industry, Suswati has held significant roles such as head of audience and deputy editor for NationalWorld news, digital editor for Channel 4 News and ITV News. She has also contributed to the Guardian and received training at the BBC As an audience, trends, and SEO specialist, she has participated in panel events alongside Google. Her…

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